…and what I’ll do for years?
The stunning has no depth. It is flat. It has no volume.
While I see Balthus I don’t understand what the matter is. What is the sequence of events, “story” - before and after? How has it come to this way of life? I feel the sense, but don’t know it. I can to hang this painting on the bedroom wall and think about “story”. For years.
But it has no decisive importance. I’m very impressed by Kenney Mencher:
Maybe he painted in oils mere frame of well-known movie. But I’m the Russian, I’d never seen this movie! If I never knew the word “America” I’d look this
…with great Martian interest! I’d feel giant stratums of culture and history in base of scene. Many Americans didn’t read “The fox tricks” by Pu Songling, but drawings of Xiaoging Ding are not less interesting for him:
…he is not so interesting. But while I don’t understand the matter, he became a great Master:
His “Forever lost” is very witty name. But it leaves no place for dream. Maybe she is in hurry to somebody, maybe she cannot find something?
While Ray Caesar piles one horror to other he is not as interesting as there:
I may suggest new tendencies. Let’s imagine I create virtually other world. It’s big, strange but consistent. Then I paint its cities, landscapes, or illustrate its mythology, or its famous event. But only I know my world fully. My paintings are only scrap of it.
What price will you suggest for this painting?
But I has create it – really!
It’s great pity I so seldom take brushes…